Sections include articles and contributions with a recurring form, intent, or tone. Authors are encouraged to expand on these sections. Each section comprehensibly pools contributions for readers curious about a specific cross-section of all issues.
An image is often worth more than a thousand words. In the Artistic Contribution section, the latest research in the arts is given a visual edge. Artists from various disciplines (performing arts, film, visual arts, architecture, music, fashion, media arts, ...) are welcome to present their work in striking images, accompanied by powerful words.
The Audio/visual section is the place to be for the storyteller. In this section, the author-narrator guides the public through a audio/visual record of original research in the arts. The section breaks through the boundaries of different media and allows story, sound and image to intertwine.
In the Review section, publications and events are discussed that have recently occurred in the field of research in the arts. Reviews are not meant to be mere assessments, but rather opportunities to place a given topic in a broader context.
The Editorial serves as a brief appetizer to the contributions in a specific issue. It also gives the author the space to share an original and thought-provoking idea, based on a recent article, a personal experience or anecdote.
In search of first-hand knowledge, the authors in the Dialogue section engage in a conversation with an artist, a specialist or simply themselves. In this way, the reader witnesses the creation process of an art work or the thought process behind an idea up close.
The Ex Libris section brings together contributions on art and cultural heritage, often based on remarkable archival documents from the heritage library of the Antwerp Conservatory. This section illustrates how exciting and often highly topical historical research in the field of the arts can be.